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- What kind of art do you specialise in?
I specialise in acrylic landscape/ seascape paintings, as well as abstract art.
- Where are you based?
Leeds, West Yorkshire
- Do you feel like where you live has had any impact on your art?
It depends. I find inspiration for my abstract art in my day-to-day life, whether that is my travels, or what I have observed.
- What inspires you?
Nature has definitely been a massive inspiration for me. It is a constant theme throughout both my abstract work and my landscape/ seascape work. This can be through the shapes, colours, and composition of nature. In terms of my landscape/ seascape work, I find that traveling allows me to discover interesting compositions that I may have not found in my hometown.
- Do you think individuality is important when creating art?
Slightly. I think most artists strive to be unique as a way to be recognised for their work. I believe it can be important because it allows the artist’s personal perspective of the world to be seen by others. I wouldn’t necessarily say it is always important or that an artist should prioritise individuality when creating, as I believe it comes naturally in development.
- How do you deal with criticism in art?
When I first began creating, I struggled a lot with criticism. I knew my art wasn’t perfect, but I struggled to handle criticism from others and took it very personally. Throughout the years, I have learnt to appreciate criticism, when asked for, as it gives me a way to perceive my art from an outsider’s view. It can also allow for more development in my work. However, I still struggle with unnecessary criticism I receive online. The art that I chose to post online, are pieces I am proud of, and that I believe are worth posting. But when I am faced with negative feedback that provides no critique, it makes me doubt the work itself. What I usually do in this situation is delete the comment and try to not allow it to impact my work.
- What is your process of creation? [How do your ideas travel to your final piece?
The process is very subconscious. I have a slight idea of what I want the outcome to look like, but I try to not hold myself to this. I enjoy experimenting and allowing the piece to develop naturally.
- What is your favourite part of creating?
Adding the small details.
- Do you have any favourite artists?
Anna Rolskaya and Marian Jazmik
- Do you have any favourite artworks?
At the moment, I really like ‘Her silence smelled like roses’ by Anna Rolskaya. The colour palette is beautiful.
- How do you stay consistent when making art?
I aim to create one painting a week. Whether that be a complete painting, or just a few ideas in my sketchbook.
- Do you ever feel discontent with your artwork, if so how do you deal with it?
Definitely. It is more common with my abstract work, either when the colour palette doesn’t work, or if I overwork a painting. I’m still working on how to deal with this, but I usually just keep working on the artwork until I am more content with it.
- What are difficulties in selling artwork, how do you deal with them?
I haven’t sold any work yet.
- Did you study art in school, if so did you find it beneficial? If you didn’t, how were you able to navigate learning without a formal education in art?
Yes, I have studied art from Highschool to University. I found studying art more beneficial in my earlier years. I believe this was due to having a tutor that took an interest in my ability and helped me to push myself in art. I don’t think I would have ever thought about pursuing art without his belief in me. I’m very thankful for that experience. In terms of college, I didn’t find it as beneficial as it was very independent. Most of my progression was based on my own efforts, which could have been done without formal education.
- Gustav Klimt’s Portrait of Elisabeth Lederer (1914–16) sold for a historic $236.4 million at Sotheby’s in New York in November 2025. Do you think a painting should be attached to material wealth?
Definitely not. A painting becomes detached from its meaning and purpose when it is sold for extremely high prices. An artist shouldn’t focus on creating for the purpose of making money. When a painting is attached to material wealth it becomes more about the profitability rather than the asset. The art itself should not be seen for its value.
- Is Ego necessary in Art?
I believe a balanced ego is necessary in art. Ego can be a good thing as it allows for an individual to be open to criticism, and have the confidence needed to share their art to others. However it can be negative when artists start to fear failure, or become too full of themselves.
- Do you think everyone should consume art? If yes, what are the benefits?
Yes. Art allows for the viewer to see into the mind and experiences of an artist. It can also speak for the artist.
- Does everyone have an innate ability to understand art whether abstract or classical? If yes, how can someone refine this quality to engage with art on a deeper level? If not, do you think that an ability to understand art is acquired?
I believe that everyone has an ability to understand art, but some people choose not to develop the ability and will simply look at a painting for its basic physical qualities. I believe someone can refine the ability to understand art through researching about a piece, and taking the time to analyse the artwork. It allows you to understand the process and reasoning behind the work, which can open up more details surrounding the artwork.
- How do you feel about the art that you create?
I have mixed emotions about the art I create. Sometimes I adore the art I create, and sometimes I feel like something is off about a painting but I can’t understand why. I rarely ever hate the work I create because it gives me something to learn off. Even sometimes, my feelings towards a painting may change, this could be due to someone else’s opinion on my work, or time itself. I sometimes look back on my older paintings that I disliked and I end up admiring certain elements.
- What is something you wish consumers of art would understand?
Art doesn’t need to have a solid meaning behind it. Sometimes with my abstract art, I don’t understand why I created it, or why I used certain colours. This is something I am pushed on a lot and can make me doubt my abilities. I believe that sometimes art can speak for itself.
- What is the greatest advice you’ve ever heard in relation to your art?
Accept that things won’t always work out, and allow for mistakes.
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